When You Get Really Close to a Movie Screen, Film Emulsion Looks like…
Boiling Sand
A curvaceous, peaches-and-cream Lana Turner placed in a beige bathroom gives the viewer all the curvilinear and pastel frothiness of a work by Fragonard.

Under the leadership of Edward Muhl, the 1950s witnessed Universal Studios’ ascendancy from A-Notch-Above-Poverty Row grindhouse to Top Dawg moneymaker in the movie industry.  While other studios had a restrictive agenda to their films [M-G-M had its family values; Warner Brothers its social conscience; Paramount provided sophistication to the masses], Universal cut and pasted whatever [...]

Angela Lansbury as Gloria

Centuries ago a Hindu poet wrote that humans are “…a bit of sky reflected in a jar destined to shatter.” It’s a challenging image for the mortal and immortal elements in mankind — and it also works as a symbol for our psychological engagement with movies:  after a film takes us to new, foreign levels [...]

GREAT COLOR THEORY: which of the 4 elements doesn't belong?  Angela Lansbury, the Acropolis, Jane Fonda or Peter Finch?

I was sitting in Shanghai’s domestic air terminal this week, flipping through a Chinese fashion magazine.  While looking at photos of clothes (an art form that pingpongs between decorative and functional elements, overload and restraint) I decided to grapple with the merits of a lame / fascinating / bizarre / ho-hum movie from 1963. Perhaps [...]

Half-Indian, Half-English Victoria Jones (Ava Gardner) suffers a crisis of identity as she attempts to convert to the Sikh religion.

A few years before Hollywood’s most celebrated movie on racism and personal identity was filmed, Douglas Sirk’s IMITATION OF LIFE, M-G-M sent a stellar cast and crew to Pakistan to bring John Masters’ 1952 best-selling novel of identity politics, Bhowani Junction, to the screen. Ava Gardner plays Victoria Jones, a half-caste woman serving in the [...]

theodoravhs

With constant revelations of Republican politicians’ sex scandals coming at us like loads of spermatazoa in hot pursuit of an ovum, I thought it would be appropriate to write an appreciation of the best comedy ever created on American Hypocrisy and false puritanism: Richard Boleslavski’s THEODORA GOES WILD. Barely remembered today, director Boleslavski’s career managed [...]

Hubba-hubba!!  The carnal Ann Sheridan

In order to build allies as World War 2 approached, the Hollywood film industry at the request of the federal government began incorporating aspects of Latin American culture in its films: glamorizing locales such as Rio and Buenos Aires, incorporating Latin culture in costume design (such as Edith Head’s designs for Barbara Stanwyck in 1941′s [...]

thebombshellstill

I suppose there will always be discussion and debate over which movie was the ‘original’ screwball comedy: TWENTIETH CENTURY? THEODORA GOES WILD? perhaps one of the late silent-era vehicles for Marion Davies?? The debate will probably never be settled, especially as esoteric older films are forgotten, never released on home video. (To quote filmmaker Chris [...]

bellsringingdvd

How can it be?? BELLS ARE RINGING: a butt-ugly, proscenium-bound, stand-and-deliver musical film directed by that most polished, chic, and painterly of all studio-era filmmakers, Vincente Minnelli??? In this delish-ly digital DVD, the glaringly phony sets and the consciously theatrical performances almost kill the pleasure of viewing this film. I say almost because despite its [...]

lewin_private_affairs_of_be

My friend David was excited recently because of the DVD release of M-G-M’s 1945 THE PICTURE OF DORIAN GRAY, directed by Albert Lewin. That got me thinking of the next collaboration by the DORIAN GRAY creative team: an independent film called THE PRIVATE AFFAIRS OF BEL AMI (1947). Lewin startled THE PICTURE OF DORIAN GRAY‘s [...]

Ricardo Montalban & Shelley Winters in MY MAN AND I

With the recent passing of Ricardo Montalban, I’d like to reflect on a neglected jewel of a film he made for M-G-M in 1952: MY MAN AND I, directed by William A. Wellman. The screenplay was by John Fante with help from Jack Leonard. Fante was a key influence on Charles Bukowski and a master [...]

todaywelive

[Posted as part of the EARLY HAWKS BLOG-A-THON.] It says it right up there at the beginning: A Howard Hawks Production. So, not only did Hawks direct TODAY WE LIVE (1933), but he ‘produced’ it also. But I put the word produced in quotes because the film is a 1933 product of M-G-M, so above [...]

I’ve been on a Brain Food Diet that has kept my thinking processes in overdrive this week. Even when my body would scream “No more!!” my brain would keep barreling down the highway with a cinder block on the accelerator. In order to chill, I spent Columbus Day morning sipping red wine and watching CIMARRON [...]

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