This post is part of the Double Billathon hosted this week at the Broken Projector film blog. In 1939, when Nathanael West was submitting the final manuscript of his Hollywood Apocalypse novel Day of the Locust to Random House, he was also pounding the keyboard for $350 a week as a scriptwriter for RKO Studios. [...]
Doug Bonner is a filmmaker and Emmy®-winning sound designer. He has produced and written on media through three generations of moving image technology.
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